Sequence of tones

As a rule, complex, compound and simple extended sentences can be divided into some logical parts. While pronouncing them, the sequence of tones must be observed. The most common sequences in unemotional speech are Fall + fall and Rise + Fall.

The sequence Fall + Fall is used in sense-groups conveying finality; they sound definite, firm, weighty.

e.g. It’s the absolute truth, I swear.

The sequence Rise + Fall is used in sense-groups which are logically closely connected, or when the speaker is leading up to something more and continuation of some kind is implied.

e.g. If I were you, I’d wait and see what happens.

My parents and I, usually spend our holidays to gether.

Practice:

1. She hates tea but adores coffee.

2. When the classes are over early, at about 11.30, Jane usually called on her friend and does some shopping.

3. I can’t come to your party tomorrow because I don’t feel quite well.

4. Everything is fine, she is happy.

5. Londinium flourished, and within a generation it had become the administrative center for the

province.

6. When Brian saw his wife’s face, he was so shocked that he stopped speaking and stared at her in

horror.

7. Cathy didn’t cry but sat silently by his side.

8. The square, when they reached it, was full of wind and flying dust.

9. It was a perfect plan, and it would work.

10. People can now use wood substitutes, which are becoming more available.

Intonation Revision Exercise

1. Most evenings they dine out.

2. The garden looked white and quiet behind the glass doors of the gallery.

3. What’s on my shopping list? Oh yes, some chocolate, cigarettes and gin.

4. What’s the mater with you, Mr. Walker?

5. By the way, are you going anywhere over Easter?

6. I am not very good at languages, you know.

7. Henry VIII, the English king of the Tudor Dynasty, is known as the Blue Beard.

8. After the rain was over, a huge rainbow could be seen bright in the sky.

9. Sir, if that was your master, why was he wearing a mask over his face?

10. The thin trees were blowing wildly, and untidy grey clouds were sailing past a pale, sickly moon.

11. She must be very miserable, and very lonely, in that dark, unpleasant house.

12. Friends, I am here to ask you for support.

13. The others thought it would be worthwhile, anyway.

14. Well, Nora, I give in! Tell me the answer now.

15. Mum, isn’t that shirt too big for me?

16. Mr. Brooke, my tutor, doesn’t stay here, and I have no one to keep me company.

17. He could not stop looking at her, and I knew there was no hope for him.

18. The young man looked very pale and went straight to his room.

19. One night, when my life as Jekyll seemed impossibly dull and boring, I mixed a dose of the drug and drank it.

20. Her play is full of coincidences, false anticipations, and non-responsive dialogues.

21. I shall come back before midnight, and then we shall send for the police.

22. If I finish it, however, he will probably not notice it.

23. When the manager told me what the apartment cost, I decided living at home with Mom and Dad was not so bad.

24. He described skiing in the Alps, swimming I the Adriatic, and driving across the Sahara Desert.

25. Te film’s last seen showed that his battle had been for nothing, that he had lost her and his dream was dead.

26. There were no photographs of the wanted man and no two people could agree about his appearance.

27. “Don’t be long!” said Henry, with a not of warning in his voice.

28. Her cousin repeated the question, “Who told you that?”

29. “Have you ever heard him sing?” I asked Mr. Bartell.

30. ‘If nothing’s the matter,” Eddy said mildly, “why are you crying?”

31. These shoes are the best; they are durable, inexpensive, and stylish.

32. Don’t waste time, don’t waste money, but – most important of all – don’t waste your energies and talents.

33. At his greatest, Jean Renoir expresses the beauty of our common humanity – the desires and hopes, the absurdities and follies, that we all, to one degree or another, share.

SECTION 6: TEXTS FOR READING PRACTICE

Text 1