Highpass

Frequency: 0...127 — Sets the filter cutoff frequency for the 2-pole high-pass filter. A setting of 0 passes all frequencies. Turning the control up attenuates frequencies below the cutoff at a slope of —12dB/octave.

Key > Freq: 0...127 — Sets the amount of modulation from the note number — from either the beat, the pads, or via MIDI — to the filter cutoff frequency. Sometimes called key tracking in keyboard synths, because the cutoff frequency “tracks” notes played on the keyboard.

ВЧ фильтр

Частота: 0...127 — Устанавливает частоту среза фильтра для 2-полюсного фильтра высоких частот. Значение 0 проходит все частоты. При повороте регулятора выше, ослабляет частоты ниже частоты среза при отклонении — 12дБ/октава.

Key > Freq: 0...127 — Задает объём модуляции из номера ноты — из любого ритма, пэда, или через MIDI — для частоты среза фильтра. Иногда его называют клавишным отслеживанием клавиатуры синтезатора, потому что частота среза "tracks" проигрываемых нот, будет на клавиатуре.

Amp

Feedback: 0…127 — The left audio output of each voice can feed back into the signal path pre-filter. Depending upon the amount of feedback, this can result in anything from a pleas­ing fuzzy distortion-like sound to unpredictable harmonic squealing and widespread pandemonium. A setting of 0 prevents any of the signal from feeding back. See “Tempest Voice Architecture” on page 17 for more information.

Note: Because the feedback loop is taken from the left output, pan settings and modulation will affect the behavior and level of feedback, so be careful (and maybe turn down your monitors/headphones while tweaking?)!

Volume: 0…127 — Sets the volume of the current sound before it is sent to the mixer.

Note: Volume level can be set, or affected by modulation, at several points in the signal path, so clipping distortion may occur if the levels and/or modulation amounts are set high. If clipping is undesirable, simply turn the level and/or mod amount down until it stops clipping.