X. Copy out the examples of Norman and Parisian borrowings from the following passage. Describe the structural peculiarities of these words

1. It was while they were having coffee that a waitress brought a message to their table. 2.1 knew nothing about the film world and imagined it to be a continuous ferment of personal intrigue. 3. The masseur and majordomo quietly disappeared. Replacing them like or; a more character emerging on stage was a chef, a pale, worried pencil of a man. 4. A limousine and chauffeur, available at any time from the bank's pool of cars, were perquisites of the executive vice-president's job, and Alex enjoyed them. 5. He would have dinner quickly and then get down to work. But as he opened the door he smelt Eau-de-Cologne and there was Ruth in a chair b;/ the grate. 6. His bandaged head was silhouetted in the light from the little window. 7. "I don't see the matter," said Steven, helping himself to more mayonnaise. 8. Apart from being an unforgivable break of etiquette, you only make yourself extremely ridiculous. 9. However, this John Davenant evidently knew more about the army and commerce than either of them. 10. At last I began to want my breakfast. I began walking in the direction of Madge's hotel and set down en route at a cafe' not far from the Opera.

XI. Read the following extract. Which of the italicized borrowings came from Latin and which from French?

Connoisseurs of the song will be familiar with the name of Anna Quentin, distinguished blues singer and versatile vocalist. Miss Quentin's admirers, who have been regretting her recent retirement from the limelight, will hear with mixed feelings the report that she is bound to Hollywood. Miss Quentin, leaving for a short stay in Paris, refused either to confirm or to deny a rumour that she had signed a long-term contract for work in America.