Psychosocial patterns of culture

It is the unwritten task of every culture to organize, integrate, and maintain the psychosocial patterns of the individual, especially in the formative years of childhood. Each culture engineers such patterns in ways that are unique, coherent, and logical to the conditions and predispositions that underlie the culture. This imprinting of the forms of interconnection that are needed by the individual for psychosocial survival, acceptance, and enrichment is a significant part of the socialization and enculturation process. Yet of equal importance in the imprinting is the structuring of higher forms of individual consciousness. Culture gives meaning and form to those drives and motivations that extend towards an understanding of the cosmological ordering of the universe. All cultures, in one manner or another, invoke the great philosophical questions of life: the origin and destiny of existence, the nature of knowledge, the meaning of reality, the significance of the human experience. As Murdock (1955) suggested in "Universals of Culture," some form of cosmology, ethics, mythology, supernatural propitiation, religious rituals, and soul concept appears in every culture known to history or ethnography. How an individual raises these questions and searches for ultimate answers is a function of the psychophilosophical patterning of cultural identity. Ultimately it is the task of every individual to relate to his or her god, to deal with the supernatural, and to incorporate for himself or herself the mystery of life. The ways in which individuals do this, the relationships and connections that are formed, are a function of the psychophilosophical component of cultural identity.

A conceptualization of cultural identity, then, must include three interrelated levels of integration and analysis. While the cultural identity of an individual is comprised of symbols and images that signify aspects of these levels, the psychobiological, psychosocial, and psychophilosophical realities of an individual are knit together by the culture which operates through sanctions and rewards, totems and taboos, prohibitions and myths. The unity and integration of society, nature, and the cosmos is reflected in the total image of the self and in the day-to-day awareness and consciousness of the individual. This synthesis is modulated by the larger dynamics of the culture itself. In the concept of cultural identity we see a synthesis of the operant culture reflected by the deepest images held by the individual. These images, in turn, are based on universal human motivations.